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Max Klinger

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Image: Brahms—Phantasie: Einundvierzig Stiche, Radierungen und Steinzeichnungen zu Compositionen von Johannes Brahms

Photo Credit: photo: J. Wareham
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Brahms—Phantasie: Einundvierzig Stiche, Radierungen und Steinzeichnungen zu Compositionen von Johannes Brahms

ca. 1894
19th century
374 x 440 x 18 mm (14.7 x 17.3 x 0.7 in.)

Max Klinger, German, (1857–1920)

Object Type: print

Medium and Support: Book of etchings, engravings, and lithographs on Japan paper, bound in one volume

Edition: One of 150 copies printed on Japan paper; early copy of the second edition without the names of Amsler & Ruthhardt as publishers. (The first edition, which this is not, consists of only five copies and has no title page). Oblong large folio with original full brown morocco gilt design on front cover. Published Leipzig: Selbstverlag, 1894.

Provenance / Collectors' Marks: Duplicate from the Albertina, Vienna

Credit Line: Gift of the Handforth Estate, 1987

Accession Number: 1987.27.1

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This object has the following keywords:

music*, symbolism

music - The art concerned with the combining of vocal or instrumental sounds in measured time to communicate emotions, ideas, or states of mind, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. [January 1995 scope note added. December 1991 related term added; related term added.]
symbolism

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Credit Caption

Max Klinger, German, (1857–1920) . Brahms—Phantasie: Einundvierzig Stiche, Radierungen und Steinzeichnungen zu Compositionen von Johannes Brahms, ca. 1894. Book of etchings, engravings, and lithographs on Japan paper, bound in one volume. : 374 x 440 x 18 mm (14.7 x 17.3 x 0.7 in.). DAC accession number 1987.27.1. Gift of the Handforth Estate, 1987. Open Access Image from the Davison Art Center, Wesleyan University (photo: J. Wareham) .

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